2018 Preliminary Critiques

2017 Preliminary Critiques

Hey all, In the interest of getting a head start on the workshop we are going to offer some preliminary critiques for those who are interested.  To have your comp work critiqued just follow this process.  1) set up a blog just for this project 2) write a post containing a brief description of your chosen project and the images you wish critiqued. 3) post a link to your blog in the comment section of this post. Good luck!

2018 Boot Camp Descriptions

Bootcamp Assignment Options

Hey all,

If you are already signed up for the bootcamp (or just want to play along at home) choose at least one of the sample assignments listed below, and try to come in to the first day of the bootcamp with as much of the following ready for critique as you possibly can.  The more prepared you are the better chance you will have to complete the project in the six days we have together.  This being said, we understand that people are coming from a variety of experience level, so work to your comfort level and we will be there to guide you in taking your work to the next level.  Please try to have thumbnail (rough) sketches, reference photos, and a tighter sketch ready to go.  Along with your preferred painting surface and materials.

Project Descriptions


option 1

A Light in the Darkness: 

Depict an adventuring knight lost in the misty halls of an ancient mansion. The knight holds a magical flame (of any color) suspended in the air which lights the way.  The knight is cautious but determined. They are ready to fight if need be in order to find what they seek. 

The artist is free to design the knight and mansion however they wish.  The gender as well as the gear they carry is entirely up to the artist.  The goal here is to create an image that has good story telling, strong mood, and will read well on a 2 inch card.  

Best format would be 12 by 16 horizontal.

option 2
The Summoning
Illustrate a scene where a sorceress is summoning a large Dragon. The location is an old ruin, in a forest, once used for a ritual of some kind. The mood should read like- the summoning of an ancient and powerful beast.
Format: artist's choice

option 3
The Creation
A creator (mad scientist, necromancer, alchemist, etc.)
bringing his creation to life.  The creature should be human-ish.
The setting should be the creator's work area, surrounded by the tools of his trade.  I would like to see a strong theme to this piece.  The work area should look as though it belongs to the creator, and the creature, HIS/HER creation.
Format: Book cover roughly  14 x 22 inches (or bigger) vertical. Leave room for title and author.

option 4
The Modern Day Muse 
The Muse, as in personified inspiration, has been portrayed repeatedly in classical arts. Take the concept of the Muse of Poetry, Dance, History and apply it to a modern day creative or cerebral pursuit. Examples could be Muse of the Tattoo artist, Muse of the Chef, Muse of the Animator, etc... If you think you can make it interesting, Muse of the Computer Programmer is perfectly fine.
Format: artist's choice

2018 Boot Camp Introduction

Introduction

Hey everyone,
Welcome to the official blog of the Watts Atelier Illustration Bootcamp!  In the posts to come we will be introducing you to and giving you a glimpse into the processes of our four instructors, Tyler Jacobson, Lucas Graciano, Michael C. Hayes, E. M. Gist .  We will also be posting your four assignment options, and open up for any questions you may have.

Those of you who have already signed up we look forward to getting to know you over the next few weeks, and finally meeting you in person at the workshop.

Feel free to checkout any of the previous posts, but realize they are from the last two year's workshops.

2017 Boot Camp Schedule

Hey all,  3 days until the boot camp begin, and we couldn't be more excited.  Except that we are now more excited! Hearthstone Art Director, Jeremy Cranford, will be joining us on Friday to give a special talk and look at portfolios!  See you all soon!

Monday, Jan 9th
• Doors open at 9
• 10am – Introduction, Go over student sketches
• 11am – Students get set up
• 1-2:30pm Lunch
• 5:30pm-7:00pm – Dinner
• 7pm-10pm life drawing (Demonstration by Erik Gist)

Tuesday, Jan 10th
• 9am – Studio Opens
• 11am – Erik Lecture:
• 1-2:30pm Lunch
• 3pm – Lucas Demo: Painting a Dragon
• 5:30pm-7:00pm – Dinner
• 7pm-10pm Life drawing

Wednesday, Jan 11th
• 9am – Studio Opens
• 12pm – Dave Lecture:
• 1-2:30pm Lunch
• 4pm – Mike Demo:
• 5:30pm-7:00pm – Dinner
• 7pm-10pm Life drawing

Thursday, Jan 12th
• 9am – Studio Opens
• 12pm – Erik Demo:
• 1-2:30pm Lunch
• 3pm – Lucas Lecture: Working on Magic
• 5:30pm-7:00pm – Dinner
• 7pm-10pm Life drawing

Friday, Jan 13th
• 9am – Studio Opens
• 12pm – Dave Demo:
• 1-2:30pm Lunch
• 4:30 Guest Lecture by Jeremy Cranford
• 5:30pm-7:00pm – Dinner
• 7pm-10pm Life drawing

Saturday, Jan 14th
• 9am – Studio Opens
• Last Day, Students work to finish projects
• 12pm Mike Lecture
• 1-2:30pm Lunch
• 5:30pm-7:00pm – Dinner
• 7-10pm Final reviews and critiques

2017 Preliminary Critiques

Hey all, In the interest of getting a head start on the workshop we are going to offer some preliminary critiques for those who are interested.  To have your comp work critiqued just follow this process.  1) set up a blog just for this project 2) write a post containing a brief description of your chosen project and the images you wish critiqued. 3) post a link to your blog in the comment section of this post. Good luck!

2017 Boot Camp Descriptions

Bootcamp Assignment Options

Hey all,

If you are already signed up for the bootcamp (or just want to play along at home) choose at least one of the sample assignments listed below, and try to come in to the first day of the bootcamp with as much of the following ready for critique as you possibly can.  The more prepared you are the better chance you will have to complete the project in the six days we have together.  This being said, we understand that people are coming from a variety of experience level, so work to your comfort level and we will be there to guide you in taking your work to the next level.  Please try to have thumbnail (rough) sketches, reference photos, and a tighter sketch ready to go.  Along with your preferred painting surface and materials.

Project Descriptions

option 1

Dragon Fighting

Depict a scene where a group of off duty, Scandinavian warriors, are betting and cheering around a ring where a cock fight is taking place.  Instead of roosters though, there are young dragons fighting.  The focus should be on the two dragons fighting.  The mood should reflect that of a traditional cock fight, cheering, yelling, coins passing hands, etc.  Make sure the dragon designs are different from each other.  The background should be that of a war camp or village.

Bookcover format  roughly 2:3 vertical (14 x 22 or 16 x 24 is a good size)

Hint:  The focus will be on the fight but your background can help support your story. Maybe the dragons that lose the fights are strung up to sell for meat or maybe there are cages of other dragons that are going to be fought.  Play with different camera angles.  Try low, in the middle of the fight.  Try over the shoulder, as if the viewer is a spectator.  Try birds eye view.  See which angle works best for the story.

option 2

Angel of Sacrifice   (Fake Magic card assignment)

Show an Angel in light armor who has just taken, or is about to take a fatal wound (arrow, sword thrust etc) in order to save the life of a knight.  The angel should radiate a sense of duty and serenity.

This is not about blood and guts,  or an over the top comic book action pose.  This assignment is all about subtle storytelling and conveying the emotion of the scene.

Format is 3:4 (like 12 x 16), horizontal

Hint:Use google images to find visual references for MTG style angels and knights.

option 3

Genre mash-up cover

Create a cover appropriate illustration (one that captures a viewer's attention and imagination through an iconic image that suggests a larger story/world) which largely reads as a traditional genre (fantasy, SF, detective, western, Gothic horror, historical, romance, etc.) but a closer look indicates a contrasting fantastical element (fantasy, science fiction, horror). 

Examples: Westworld (Western/SF), Shadowrun (SF/fantasy), Bladerunner (Detective/SF)

Bookcover format  roughly 2:3 vertical (14 x 22 or 16 x 24 is a good size)

Focus: Appeal to both genres, as well as find/depict an interesting juxtaposition.  There should be an element of the unexpected.  Also consider: The characters may not know that they're living in multiple genres."

Option 4

Step-Down Imagery or Everyday Horror

Create an image that is set in an everyday location (ie. a grocery store, play ground, school, etc.) then contrast the mundane with “horrific” imagery.  As an example: a parent with a child in a shopping cart, perusing the frozen foods section of the local grocery store.  As the parent leans closer to examine the freezer’s selection a decaying hand reaches for from inside. (you can feel free to use this specific scene. but I would encourage you to come up with your own based on this idea)

Bookcover format  roughly 2:3 vertical (14 x 22 or 16 x 24 is a good size)

Hint: focus on ways to visually contrast the horrific elements with those of the “normal” world.

Feel free to post any questions in the comments below.

2017 Boot Camp Introduction

Introduction

Hey everyone,
Welcome to the official blog of the Watts Atelier Illustration Bootcamp!  In the posts to come we will be introducing you to and giving you a glimpse into the processes of our four instructors,Dave Palumbo, Lucas Graciano, Michael C. Hayes, E. M. Gist .  We will also be posting your four assignment options, and open up for any questions you may have.

Those of you who have already signed up we look forward to getting to know you over the next few weeks, and finally meeting you in person at the workshop.

Feel free to checkout any of the previous posts, but realize they are from the last two year's workshops.